Using as title a Ludwig Wittgenstein formula, this composition deals with references, meanings and similarities. X=x (live Performa Paço / São Paulo, 2013) - Part 2/3 HOL | x=x (live performa paço) - Parte 2/3 from hol on Vimeo. Music: Raúl Santos_SupercineXcene | /superx Īll info at | Design, animation & Direction: Guillermo Daldovo | Edition & errors: Bernard Arce | Producer: Sonia Figuera Parallel activities include the "Cadences of Colour and Line" exhibit at Listasafn Reykjavíkur (Reykjavik Art Museum, from February 1st to April 13th) and the "2014 Academy Programme", featuring workshops open to local students and tutored by renowned professionals in the field.Ĭo-produced by RCVM and MAD. The programme features live performances by major artists like Ryoji Ikeda and Ryoichi Kurokawa specially commissioned opening concerts by Sigurður Guðjónsson + Anna Þorvaldsdóttir & Bret Battey + Hugi Guðmundsson guest Austrian and Polish Film panoramas, and the selected works in the international live set & short-film Competitions, which brought together nearly 500 artists from 46 countries. Non-representational Art takes the lead at Reykavík Visual Music – Punto y Raya Festival, which will take place from January 30th to February 2nd 2014 at HARPA, the Reykjavík Concert Hall and Conference Center. Punto y Raya Festival 2014 | Teaser from Punto y Raya Festival - dot&line on Vimeo.Ī feast of pure Colour, Motion and Sound.This allows the work to give descriptions of a site specific location that go beyond the surface of naïve realism and question the nature of perception itself. It is also used to explore the process of cross-modal association that is involved with the construction of meaning the way in which a synaesthetic stimulation in one or more different senses can trigger association and memory in another. Manipulated visual and audio field recordings explore the process of how sound and noise turn from a physical phenomenon into a meaningful one through the passage of recognition, and the way in which a stimulation of light on the retina can lead to a concept of depth perception and visual spatial awareness such as direction, scale and motion.ĭigital technology plays a key role in the work, exposing information held to the periphery that is almost out of visual or hearing range and bringing it to the forefront. It aims to bring attention to our lived and embodied experiences of the Brisbane urban landscape, revealing the subjective tension between the way we construct meaning in an external environment. Intermedia Syneathesia is a work that focuses on sensory perception and phenomenology. Intermedia Syneasthesia from VJ Radiance on Vimeo.Īudio - Stroboscopic Artefacts Marie Prieux (Carte Blanche, Lutetia Agency) LEGHAU (Figure, Skryptom, Analytic Trail) Vous suivez toujours ou ça va trop loin ?Įn fait pas besoin d’aller jusqu’ à Berlin, ça se passe dans un haut lieu de clubbing parisien complètement rénové avec une nouvelle direction artistique forcément très bien léchée. Alors à la fin on se demande toujours un peu : qui est l’homme ? Qui est la machine ? C’est quoi « qui » ? Un triptyque évocateur aux allures Post industriel où se mêlent cadences hypnotiques et lumières assourdissantes. Pour le premier coup fourré, on commence avec La Man, Machine & Music Une bande de gamins très fréquentables, seulement si vous décidez de faire n’importe quoi… En Bref, de la crème de p’tits cons à s’étaler toute la nuit. filtered I have also tested the awesome up-and-coming CSS custom filters feature but it does not work on videos or embedded content – yet.Les Sales Mômes - by Mushroom from Gabriel Otero A.K.A VJ Mushroom on Vimeo.Įn ce 18 janvier 2014, vous allez faire connaissance avec Les Sales Mômes.
Then I put it into my webpage like this: It does seem that we can put CSS filters on the Quicktime element which I hadn’t expected (tested in Safari and Chrome). When I did this I prepared a Syphon client in Quartz Composer and converted it to a Quicktime file. The biggest limitation being that we can not use the Syphon input as a texture in WebGL. Yes apparently we can have a Syphon input into the web browser.
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